Dr. Qaisar Abbas SMC - BNU

Dr. Qaisar Abbas

Assistant Professor

School of Media and Mass Communication (SMC)

Dr. Qaisar Abbas, Assistant Professor at BNU, is a scholar-practitioner in political and community theatre with a PhD from the University of Exeter. His research explores decolonization, working-class performance, and NGOs' impact on Pakistani theatre. He’s a published author, director, playwright, and expert in applied and development-focused theatre.

Bio

Dr. Qaisar Abbas is an accomplished academic, theatre practitioner, and researcher whose work spans across political theatre, performance for development, and community engagement through the arts. With a dynamic career rooted in both academia and grassroots performance, Dr. Abbas brings an interdisciplinary perspective that bridges performance studies, anthropology, and development communication.

He earned his PhD in Drama from the University of Exeter, UK (2023), where his research examined the evolution of political theatre in Pakistan, particularly the impacts of NGO-isation and neoliberal policies. His doctoral work critically explored the poetics and politics of working-class theatre in Punjab, earning him recognition in international scholarly circles. Dr. Abbas also holds an MA (with Distinction) in Applied Anthropology and Community Development from Goldsmiths, University of London, and participated in the Erasmus Exchange Program at Utrecht School of the Arts, Netherlands.

Dr. Abbas's scholarship is widely published in reputed journals such as Asian Theatre Journal and New Theatre Quarterly. His notable works include articles on the decolonization of working-class theatre and the NGO-led depoliticization of artistic spaces in Pakistan. He has contributed to edited volumes, including his chapter on heritage-based theatre with Kalasha children, and has a monograph forthcoming with Routledge titled The Neo-liberalization of Political Theatre in Punjab (Pakistan): NGO-isation, Professionalization and Depoliticization. His academic contributions also include conference presentations at prestigious institutions such as Harvard University and the International Federation for Theatre Research.

Professionally, Dr. Abbas has served as Assistant Professor and School Coordinator at the Institute for Art and Culture, Lahore, where he designed and taught a wide range of courses related to acting, applied theatre, performance analysis, and creative community development. At BNU, he currently leads the MS Film and TV program, mentoring students and spearheading curriculum development that integrates theory with practice.

Before entering academia, Dr. Abbas spent over a decade at Punjab Lok Rahs, a leading non-profit theatre organization in Pakistan, where he managed cultural development projects focused on human rights, education, gender awareness, and social justice. His work spanned from designing theatre-based community interventions to liaising with international donors, including UNICEF, British Council, and Swiss Development Cooperation. His field experience and project management reflect a lifelong commitment to using theatre as a transformative tool for social change.

Dr. Abbas is also an award-winning grant recipient, having secured research funding from the Association for Asian Studies under its Cultivating the Humanities and Social Sciences Program (CHSS), and prestigious scholarships such as the Commonwealth Scholarship and Exeter International Excellence Award.

As a theatre artist, he has directed and performed in numerous original productions in Punjabi and Urdu, such as Halla Bol, Neelay Da Aswaar, Mahno Kahani, and Uperali Manzil. His plays often address themes of identity, power, marginalization, and collective memory. His writing credits include over a dozen original plays, and he continues to offer acting and theatre workshops to youth, students, and community groups across Pakistan.

In both his academic and creative practice, Dr. Qaisar Abbas remains dedicated to amplifying voices from the margins, fostering critical thinking through performance, and building bridges between theory, activism, and community engagement.

Academics

  • PhD in Drama, The Department of Communication, Drama and Film, University of Exeter, UK
  • MA in Applied Anthropology & Community Development (with Distinction), Goldsmiths, University of London, UK
  • Erasmus Exchange Program, Utrecht School of the Arts, Utrecht, The Netherlands

Research Grants, Honors & Awards

  • Research Grant awarded by the Association for Asian Studies (AAS) under the "Cultivating the Humanities and Social Sciences (CHSS)" program, sponsored by Sweden (2024).
  • Exeter International Excellence Scholarship, University of Exeter (2017–2020).
  • Commonwealth Scholarship (2013–2014), awarded by the Commonwealth Scholarship Commission, UK.
  • International Society of Performing Arts Fellow, New York, USA (2010).
  • Young Fellow at the Theatre Faculty, Utrecht School of the Arts, The Netherlands.
  • Merit Scholarship from the University of Engineering & Technology, Lahore.

Experience

  • Assistant Professor and Degree In-Charge – MS Film & TV, School of Media and Mass Communication, Department of Theatre, Film and TV, Beaconhouse National University, Lahore (2023 – Present)
  • School Coordinator. School of Culture and Language, Institute for Art and Culture, Lahore
  • Assistant Professor, School of Culture and Language, Institute for Art and Culture, Lahore (2014 – 2017)
  • Projects Coordinator and Program Officer, Punjab Lok Rahs – a non-profit organization working in the field of culture and development (2008 – 2013)
Master’s Placement Experience
  • Oxfordshire Association for Young People, Oxford
    • Designed and delivered theatre workshops for disadvantaged youth and community groups
    • Developed resources to support theatre-based community development strategies
    • Created a manual of theatre exercises tailored for youth engagement
  • Entelechy Arts, London
    • Contributed to the organizational project Meet Me at the Albany
    • Assisted in fundraising initiatives
    • Facilitated cultural exchange by sharing social, political, and artistic perspectives from Pakistan’s community theatre scene

Publications

Journal Articles
  • Abbas, Q. (2024). Decolonizing and Producing Working-Class Theatre in Pakistan: The Poetics and Politics of Sangat Theatre’s Chog Kusumbhey Di (Picking Safflower). Asian Theatre Journal, 41(2), 319–345. https://muse.jhu.edu/article/936939
  • Abbas, Q. (2024). NGOs and the Neo-liberalization of Political Theatre in Pakistan: Ajoka’s Surrender to the Politics of Rights. New Theatre Quarterly, 40(1), 31–47.
  • Abbas, Q., & Pir, G. (2017). Lahore: De-politicization of Public Spaces. THAAP Journal, 8.
  • Abbas, Q., & Pir, G. (2016). History of the Invisible: A People’s History of the Transgendered Community of Lahore. THAAP Journal, 7, 162–175.
Book Chapters
  • Abbas, Q. (2019). Reliving History and Heritage: Theatre and Art Workshops with Kalasha Children. In From Tsiam to the Hindu Kush: Kalasha People and Their Culture (pp. 153–172). Lahore: THAAP and UNESCO.
Conference Papers
  • Abbas, Q. (2022). The Creative Struggles of Political Theatre in Pakistan (1947–2022). Paper presented at Pakistan Conference: 75 Years of Independence, South Asia Institute, Harvard University. (Abstract accepted)
  • Abbas, Q. (2021). Ecology of Political Theatre in Punjab (Pakistan) Under NGO Projects: From the Politics of Resistance to the Politics of Rights. Paper presented at IFTR Conference 2021, National University of Ireland, Galway.
  • Abbas, Q., & Pir, G. (2018). Politics of Hijra Performance in Pakistan. Paper presented at the International Conference on Gender Studies, Leeds, UK.
Research Reports
  • Recce Report: Building Livelihood through Jewelry Design, Craftsmanship and Trade (2015). THAAP.
  • Promoting Intangible Cultural Heritage for Educators to Reinforce Education for Sustainable Development in the Asia-Pacific Region. UNESCO, THAAP.
Accepted / In Progress
Book
  • The Neo-liberalization of Political Theatre in Punjab (Pakistan): NGO-isation, Professionalization, and Depoliticization. Monograph (forthcoming). Routledge, London.
Refereed Journal Articles
  • (Details not specified – can be added when available)
Book Chapter
  • Abbas, Q. (2025). The Defiant Voices from the Margin: Punjabi Theatre Plays of Lakht Pasha. In Singh, P. & Dhandha, A. (Eds.), Routledge Series on Punjab Studies. (Forthcoming)

Appendix

Project Management and Communication Design
  • “Strengthening the Resilience of the Kalasha Communities Through Protection and Promotion of Their Cultural Heritage” – 2019. Funded by the Swiss Development Corporation (SDC).
  • “Empowering the Kalasha Communities Through Safeguarding Their Intangible Cultural Heritage” – 2016/2017. Funded by The Embassy of Switzerland.
  • "Building Livelihood Through Jewelry Design, Craftsmanship, and Trade". Funded by the British Council.
  • "Strengthening Democracy - Mainstreaming Marginalized Groups" (2010-2013). A project of CWS, PLR, and IRC, funded by EED.
  • "Helping Girls into Schools" (2010). Funded by Oxfam-UK, Islamabad Office.
  • "Gender Profiling in 3 Rural Districts". Funded by PAGE, Canadian International Development Agency (CIDA), Islamabad.
  • "Political Economy of Milk". Funded by Pakistan Poverty Alleviation Fund (PPAF).
  • "Fighting Iodine Deficiency Disorder in Depalpur, District Okara". Funded by UNICEF.
  • "Creating Awareness on Human Rights and Awakening Consciousness Through Theatre". Funded by Civil Society HID Program (CHIP).
Writings
Theatre for Change
  • Acting and Production Design: "Sammi Di War – Ghairat (The Honor)", "Hond Unhond (Being & Nothingness) – Ghairat (The Honor)", "Siddaq (The Truth)", "Lakeer (The Border)", "Ikk Probhara Akhar (An Alien Word) – Batti Dharan (Mother's Love)", "Sam Deo Tail Shehzadi", "Rang badrang (Color and Bad-color)", "Chalo Chalo Global Village Chalo", "Chhota".
  • Direction: "Mountain Language" – 2017, "Halla Bol!" – 2016, "Akhian Walio!" – 2015, "Neelay Da Aswaar (The Rider of Blue Horse)" – 2012, "Shahar Di Vaar (History of the City)" – 2011, "Heer Da Qazi Naal Jhera" – 2011, "Kurlat (The Cry)" – 2011, "Uperali Manzil (The Upper Floor)" – 2011, "Chippan Toun Pehlaan (Before Sunsets)" – 2011, "Hadbandi (The Restriction)" – 2011, "Mahno Kahani (The Human Story)" – 2010, "Warti Wapri (The Experience)" – 2010, "Hadbandi (The Restriction)" – 2009, "Macbeth" – 2009, "Hond Unhond (Being and Nothingness)" – 2009, "Probhary Hik Shahar Icchon (Tale of a Remote City)" – 2008, "Ikk Probhara Akhar (An Alien Word)" – 2008, "Hond Unhond (Being and Nothingness)" – 2008, "Global Village" – 2008, "Lakeer (The Line)" – 2008, "Globalization" – 2008, "Ikk Raat Ravi Di (A Night Alongside River Ravi)" – 2008.
Playwriting
  • Siddaq (The Truth)
  • Library
  • Sarkar (The Government)
  • Mahno Kahani (The Human Story)
  • Unparh Deo tey Illam Prri (The Ignorant Giant and the Knowledge Fairy)
  • Pay, Bay, Alif (C, B, A)
Theatre Workshops Attended
  • "Around Laughter" by Nader Farman
  • "Theatre Design Workshop" by Douglas Alonzo from Honduras
  • "Mask Making" by Tatjana Brinkman
  • "Working with a Neutral and Character Mask" by Tatjana Brinkman
  • "Body, Movement, and Voice" by Laetitia Galama
  • "Performance" by Alix Adams
  • "Writing Training" by Anne Wil Petterson
  • "Tango and Leadership" by Philip Ruitenberg
  • "Fooling Around (Clowns)" by Marjolien Basrs
  • "Intelligence of the Body in Performance" by Marina Trisic and Milly Obdeijn
  • "Theatre on Location" by Eric Langendoen
  • "Exploring Celebratory Theatre" by Tom Spencer
  • “Movement and Belle Dance” by Australian Trainer
  • “Body and Character” by Trainers from Royal York Theatre, England
  • “Making Theater That Moves” by Judith Marcuse
  • “Love for Lilith - Conversation with the Moon” by Fre Hooft
  • “EARTH Project” by Judith Marcuse
  • “Voice” by Prof. S. Ramanujan
  • “Body” by Prof. R. Raju
  • “Mind” by Mr. Paralayan
  • “Theatre of the Oppressed” by Prof. K.A. Gunashekaran
  • “Alternative Theatre” by Mr. Anees
  • “Experimental Theatre” by Mr. Shanmugaraja
  • “Theatre Towards a Society of Non-Violence and Peace” by Kude Meire
  • “Entertainment and the Word” by Imran Aslam
  • “The Image and the Word” by Sarmad Sehbai
  • “Music as Performance” by Pappu Sain and Farhad Humayun
  • “Music and Performance” by Shafqat Hussain
  • “Fathers and Daughters” by Navid Shahzad
  • “Interactive Theatre” by Mohammed Waseem
  • “Commercial Theatre” by Khalid Abbas Dar
  • “Theatre and the Art of Expression” by Huma Safdar
  • “Public Places/Private Spaces” by Salman Shahid
  • “Dance Theatre” by Sheema Kermani
  • “Basic Theater” by Alif Adaab
  • “Drama and Education” with Jonathan Neelands
Theatre Projects
  • "Vatandra" Exchange
  • "A Declaration of Love to a Perfect Stranger"
  • "Beyond Border"
  • "Non-Violence and Peace Festival"
  • "Site-Specific Theatre" (2008)
  • "Badal Sircar Theater Mela" (2010)
  • "Dialogues with the Moon"
  • "Women Expression through Puppet" (2008)
  • "Let’s Speak Theatrically" (2009–2011)
  • "Jhokan Theesan Abad Wal" (2009)
  • "A Young Professional to Pakistan" (2008)
Arts Workshops and Festivals

Workshops:

  • "Photography Training Workshop on Religious Minorities" (2011)
  • "Photography Workshop for Beginners"
  • "Celebrating Multi-Culturalism in Pakistan" (2011)
  • "Music Workshop for Children" (2011)
  • "Kathak Dance Classes for Children" (2011)
  • "Classical Music Classes"
  • "Kathak and Yoga Classes with Umair Ari" (2011)
  • "Dance Workshop with Beena Jawwad" (2012)
  • "Dharees - Three Day Folk Dance Workshop" (2012)
  • "Nighat Chaudhry Teaches Dance" (2012)
  • "Music Classes at Punjab Lok Rahs" (2012)

Festivals:

  • "UCA Café Theatre Festival" (2017)
  • "THAAP National Performing Arts Festival" (2015)
  • "Singing City: Sing Yourself Free" (2015)
  • "Folk Dance Festival" (2015)
  • "Lok Rahs Theatre Competition" (2012)
  • "Punjab Folk Dance Festival" (2012)
  • "Roving Street Folk Dance Festival" (2012)
  • "Folk Dance Night at 9TH Arts Festival" (2012)
  • "Roving Street Theatre Festival" (2011)
  • "Rahs Children and Youth Performing Arts Festival" (2011)
  • "Punjnad Roving Film Festival" (2008)
  • "Rahs Theatre Mela" (2009)
  • "Sanjha Punjab Rahs Mela" (2009)
  • "Jashan-e-Baharan Theatre and Film Festival" (2009)
  • "Rahs Youth Performing Arts Festival"
Exploring and Reviving Folk Arts
  • "Punjab Lok Boli Mela, Jaranwala" (2008)
  • "Punjab Lok Boli Mela, Haveli Lakha" (2005)
  • "Punjab Lok Boli Mela, Bangla Gogera" (2006)
  • "Punjab Folk Dance Festival" (2012)
  • "Roving Street Folk Dance Festival" (2012)
  • "Classical and Folk Music Festival" (2012)
  • "Jashan-e-Baharan Folk Festival" (2012)
  • "Jashan-e-Baharan Folk Festival" (2010)

Contact

  • Email Address: qaisar.abbas@bnu.edu.pk
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